＜p＞The musical writings of scientist Hermann von Helmholtz (1821?94) have long been considered epoch-making in the histories of both science and aesthetics. Widely regarded as having promised an authoritative scientific foundation for harmonic practice, Helmholtz can also be read as posing a series of persistent challenges to our understanding of the musical listener. Helmholtz was at the forefront of sweeping changes in discourse about human perception. His interrogation of the physiology of hearing threw notions of the self-possessed listener into doubt and conjured a sense of vulnerability to mechanistic forces and fragmentary experience. Yet this new image of the listener was simultaneously caught up in wider projects of discipline, education and liberal reform. Reading Helmholtz in conjunction with a range of his intellectual sources and heirs, from Goethe to Max Weber to George Bernard Shaw, Steege explores the significance of Helmholtz's listener as an emblem of a broader cultural modernity.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。
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RT @yukine_tsubaki: ３００文字の物語より「染まる」
https://t.co/SENwEBG0Qf
紅葉とは季節外れですが
とても好きなお話なので
1つ目はこれがいいなと♡
ゆったりと時の流れる京都
色のない世界に彩を添える
君に「また」と言われると
こ…@mikotosumeragi 2019/01/04 22:49
「玄関に新聞？同居人？」
私((猫か……))@srr_listener_04 2019/01/04 21:46
@1huzi_sakura2 へー(￢_￢)
@Y_AtR_listener 2019/01/04 22:08
© ドラマも良いけど、Listener も良いよねぇ～♪